by Chloe Cheung fingertips warm lips— parting is such sweet—sorrow i say (dreams really do come true) icecold river dissolves past/present/future take me back now; rewind three years: tick, tock, tick, tock, tick … it’s not ‘goodbye’ my dear, but a promise that we’ll meet again—
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by Chloe Cheung Picture this: it’s 1984 and the Two Minutes Hate is raging. A huge supra-stage screen shows an enemy of Big Brother being shot in the head. That was the Oxford Playhouse’s critically acclaimed production of George Orwell’s 1984, but even the most sporadic of theatregoers might be familiar with the growing […]
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by Jacob Warn Welcome to a world of music, of love, and of language. This is a world of drunken revelry and cross-gartered madness, overwriting a history inscribed with the vestiges of war, loss and social change. Shakespeare’s Twelfth Night is just a comedy. Some say. But it is this kind of thinking that results in the generic […]
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Music by Chloe Cheung
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Chloe Cheung shares some advice for saving money with The Poor Print’s readers
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Chloe Cheung espouses the virtues of layering, featuring a special guest appearance.
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Photographs by Chloe Cheung
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by Chloe Cheung Readers are advised that this review makes details of the plot and production explicit. Not even Stewart Lee makes me laugh as much as I did at Christopher Luscombe’s new production of Love’s Labour’s Lost for the Royal Shakespeare Company (RSC). Hailed as ‘sparklingly funny’ (The Times) and brimming with ‘continual comic […]
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Oxford is especially enchanting in the snow
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by Chloe Cheung In my experiences of British weather, the best way to stay toasty in the library and beyond is to layer up like a wedding cake. A sequinned velvet pencil skirt might seem like overkill for the daytime, but it definitely added a little sparkle to my day. Velvet is such a […]
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by Chloe Cheung Readers are advised that this review makes details of the plot explicit. The threat of nuclear war between the Cold War superpowers plunged the latter half of the 20th century into some of its darkest days. Tim Morton-Smith’s gripping new play Oppenheimer now brings the man behind the atomic bomb to the stage. […]
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