Culture, Prose, Reviews

Ishtar: A Review

Poignant, dark, and fun – Ishtar is proof that age does not matter, and that some stories are timeless. Bringing to life of one of the oldest poems in the world from Ancient Mesopotamia, Ishtar tells the story of the eponymous Goddess of Love and War (Leela Jadhav) as she ventures into the underworld to […]

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Culture, Prose, Reviews

Blood Wedding: A Review

by Chloe Whitehead ‘Let the Bride awake!’ Intrigue and betrayal reigns in this adaptation of Federico García Lorca’s 1930s classic, Blood Wedding. The Burton Taylor Studio provides an intimate and compelling venue for the drama, with only two rows of seats before the scandal-riven world of rural Spain encroaches upon the audience. Despite only watching […]

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Culture, Prose, Reviews

Hedda: A Review

Review by Amanda Higgin Photos by Georgia Crowther Oriel’s College’s own Poor Print had the first set of eyes on this much-anticipated Playhouse production in dress rehearsal. Even without making allowances for the adjustments and polishing that will take place before opening night, Hedda was excellent. A carefully curated, visually stunning, compelling masterwork – it […]

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Culture, Prose, Reviews

A Tale of Two Halves: A Review of Twelfth Night

by Chloe Whitehead Five English students, a medic and some wholesome Shakespeare – a day out made in heaven? We thought so. On a rainy Thursday in January we went to see Twelfth Night at the Royal Shakespeare Company in Stratford-upon-Avon, and on the whole witnessed a brilliant performance. Despite being an English student, I’d […]

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Culture, Prose, Reviews

Beautiful Thing: A Review

by Amanda Higgin It is often said that simple things are beautiful, and this show was certainly a Beautiful Thing. This straightforward but delicately told story brings its audience to three neighbouring flats in a London council estate. Jamie lives with his mother, Sandra, and her boyfriend, Tony. On one side lives Leah, who has […]

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Culture, Prose, Reviews

The Lieutenant of Inishmore: A Preview

by Teofil Camarasu Upon arriving to watch a dress rehearsal of the The Lieutenant of Inishmore, I was told that I would be watching the first run of the show with genuine fake blood (until then they had used water instead). The first row of seats had provisionally been designated a splash-zone, and was covered in […]

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