Culture, Prose

Theatre and the Screen: A Fruitful Marriage?

by Chloe Cheung Picture this: it’s 1984 and the Two Minutes Hate is raging. A huge supra-stage screen shows an enemy of Big Brother being shot in the head.   That was the Oxford Playhouse’s critically acclaimed production of George Orwell’s 1984, but even the most sporadic of theatregoers might be familiar with the growing […]

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