Comment, Prose

A Farewell from the Editors: Nostalgia

by Michael Angerer The end of the academic year is upon us, vacation-time is about to break out, and so it is time to look back fondly upon our term as Executive Editors of The Poor Print: it is time for nostalgia. You might think that the word ‘nostalgia’ has ancient roots; you would be wrong. […]

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Interview, Prose

JCR Peer Supporters: George Mundy

Interview by Michael Angerer George Mundy, our first peer supporter to be interviewed for The Poor Print, is from the ‘lovely little pseudo-village’ of Hampton Hill. He is in his second year of studying Biochemistry, and he plays lacrosse, basketball, and Nintendo. George lives in the Dolls House in Third Quad, in 12.5, and is […]

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Poetry

Eternity

by Michael Angerer Once the world is ended I will seeThe glittering stars go drifting by,Leaving their sparkling trails upon an empty sky,Unfolding, falling, flowing slowly towards me. I know not dark, not brightness here,Where dawnless light endarkens speechless thoughtOf future past and present yet unclear,All non-existent in my lonely void unwrought. And how could […]

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Prose, Reviews

You Are Frogs: A Review

by Michael Angerer The self-described dark comedy You Are Frogs, put on by Practically Peter Productions, is above all a baffling play: perhaps the most baffling theatrical experience to come out of this term. Having ascended the steps up to the Burton Taylor studio, the unsuspecting playgoer intrudes into the depressingly bright-coloured kitchen of two frogs, […]

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Comment, Prose

A Word from the Editors: Soul

by Michael Angerer The need to identify the essential being of all things, the underlying truth hidden behind superficial appearances, seems to be an irresistible impulse; it is in any case certain that the concept of a soul, or a psyche, is among the oldest known to humanity, and among the most widespread. And yet, […]

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Comment, Prose

A Word from the Editors: Tradition

by Michael Angerer Modernity is the central tenet of our age, which likes to classify itself as ‘post-modern’, ‘post-colonial’, and ‘post-truth’; we tend to look upon tradition as stuffy, out-dated, and generally irrelevant to what our everyday lives should be. As you might have guessed from the presence of this column, however, there is far […]

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Culture, Prose, Reviews

Gods Are Fallen And All Safety Gone: A Review

by Michael Angerer As you step into the small dark space of the Burton Taylor Studio to watch Selma Dimitrijevic’s Gods Are Fallen And All Safety Gone, you enter a strangely surreal place: a place in which all eyes rest on two similar figures who sit facing each other, silently staring each other down. The […]

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